{"id":1214,"date":"2022-05-11T00:07:18","date_gmt":"2022-05-10T22:07:18","guid":{"rendered":"https:\/\/www.konvergencie.sk\/shop\/?post_type=product&#038;p=1214"},"modified":"2025-12-04T12:07:43","modified_gmt":"2025-12-04T11:07:43","slug":"alessandro-baricco-hegelova-dusa-a-kravy-z-wisconsinu","status":"publish","type":"product","link":"https:\/\/www.konvergencie.sk\/shop\/produkt\/alessandro-baricco-hegelova-dusa-a-kravy-z-wisconsinu\/","title":{"rendered":"Alessandro Baricco: Hegelova du\u0161a a kravy z Wisconsinu"},"content":{"rendered":"<p><strong>Viac o titule<\/strong><\/p>\n<p>Alessandro Baricco za\u010d\u00ednal ako hudobn\u00fd kritik v\u00a0denn\u00edkoch <em>La Stampa <\/em>a\u00a0<em>La Repubblica<\/em>. Jeho \u00favahy\u00a0 o\u00a0hudbe a\u00a0hudobn\u00edkoch vy\u0161li v knih\u00e1ch\u00a0<em>G\u00e9nius na \u00fateku<\/em> (o\u00a0Rossinim, 1988) a<em> Hegelova du\u0161a a\u00a0kravy z\u00a0Wisconsinu <\/em>(1992). Vo\u00a0\u0161tvorici filozoficko-estetick\u00fdch esej\u00ed sk\u00fama vz\u0165ahy medzi hudbou a\u00a0modernitou, interpret\u00e1ciou, recepciou a percepciou a\u00a0uva\u017euje o\u00a0hodnote hudby pre spolo\u010dnos\u0165. V\u00a0tejto s\u00favislosti zav\u00e1dza term\u00edn <em>musica colta <\/em>(\u201eu\u0161\u013eachtil\u00e1 hudba\u201c). Ch\u00e1pe pod n\u00edm hudbu, ktor\u00e1 nie je muze\u00e1lnou hodnotou, kratochv\u00ed\u013eou \u010di spotrebn\u00fdm tovarom, ale vstupuje do dial\u00f3gu so s\u00fa\u010dasnos\u0165ou. Deje sa tak prostredn\u00edctvom interpret\u00e1cie, ktor\u00e1 mus\u00ed by\u0165 traumou, \u0161okom a\u00a0osvieten\u00edm s\u00fa\u010dasne. Za\u010diatkom 90.\u00a0rokov 20. storo\u010dia bola aktu\u00e1lna aj Bariccova polemika so zakonzervovan\u00fdmi\u00a0ideov\u00fdmi v\u00fdchodiskami tzv. Novej hudby.<\/p>\n<p><strong>O\u00a0autorovi<\/strong><\/p>\n<p>Taliansky spisovate\u013e, esejista, dramatik a scen\u00e1rista Alessandro Baricco (1958, Tur\u00edn) vy\u0161tudoval filozofiu, hudobn\u00fa vedu a\u00a0hru na klav\u00edri. Za debut <em>Hrady hnevu<\/em> (1991) z\u00edskal ceny doma i\u00a0v\u00a0zahrani\u010d\u00ed. Nasleduj\u00face dielo, <em>Oce\u00e1n more<\/em> (1993), sa stalo jeho prv\u00fdm bestsellerom. Medzin\u00e1rodn\u00fd \u00faspech rom\u00e1nu\u00a0<em>Hodv\u00e1b<\/em> (1996) zaradil Baricca, ktor\u00e9ho poetiku a rozpr\u00e1va\u010dsk\u00e9 umenie oce\u0148uj\u00fa \u010ditatelia i\u00a0kritici na celom svete, medzi naj\u010d\u00edtanej\u0161\u00edch a najprekladanej\u0161\u00edch autorov dne\u0161ka. Niektor\u00e9 z jeho diel z\u00edskali aj filmov\u00fa podobu. Napr\u00edklad <em>Hodv\u00e1b<\/em> (2007, r\u00e9\u017eia F. Girard) alebo divadeln\u00fd monol\u00f3g <em>Tis\u00edcdev\u00e4\u0165sto<\/em>, liter\u00e1rna predloha Tornatoreho <em>Legendy o\u00a0pianistovi <\/em>(1998). V\u00a0Bariccov\u00fdch textoch mo\u017eno n\u00e1js\u0165 presahy medzi hudbou a jazykom i hudobn\u00e9 mot\u00edvy, ktor\u00e9 tvoria s\u00fa\u010das\u0165 sujetu. U\u017e v\u00a0rom\u00e1novej prvotine <em>Hrady hnevu<\/em> sa \u010ditate\u013e stret\u00e1va so zvl\u00e1\u0161tnym n\u00e1strojom z\u00a0\u013eudsk\u00fdch hlasov, humanof\u00f3nom. Marina Spunta v\u00a0knihe <em>Voicing the Word <\/em>p\u00ed\u0161e, \u017ee snaha reprodukova\u0165 \u201ehudbu hlasu\u201c je d\u00f4le\u017eitou s\u00fa\u010das\u0165ou Bariccovho autorsk\u00e9ho \u0161t\u00fdlu. Ve\u013ek\u00e1 \u010das\u0165 jeho tvorby je dostupn\u00e1 v\u00a0slovensk\u00fdch prekladoch.<\/p>\n<p><strong>Preklad: <\/strong>Stanislav Vallo<\/p>\n<p><strong>Po\u010det str\u00e1n:<\/strong> 80<\/p>\n<p><strong>V\u00e4zba: <\/strong>m\u00e4kk\u00e1 v\u00e4zba \/ paperback<\/p>\n<p><strong>Vydavate\u013e:<\/strong> Artforum a Konvergencie, 2022<\/p>\n<p><strong>EAN: <\/strong>9788081503726<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>(kniha, eseje)<\/strong><\/p>\n<p><strong><u>Konvergencie, Artforum<\/u><\/strong><\/p>\n<p>Zbierka filozoficko-estetick\u00fdch esej\u00ed Alessandra Baricca, talianskeho spisovate\u013ea, esejistu, dramatika a\u00a0scen\u00e1ristu, v\u00a0ktorej sk\u00fama vz\u0165ahy medzi hudbou a\u00a0modernitou, interpret\u00e1ciou, recepciou a percepciou a\u00a0uva\u017euje o\u00a0hodnote hudby pre spolo\u010dnos\u0165. Titul vyd\u00e1vaj\u00fa Konvergencie v\u00a0spolupr\u00e1ci s\u00a0vydavate\u013estvom Artforum v\u00a0preklade Stanislava Valla.<\/p>\n","protected":false},"featured_media":2001,"template":"","meta":[],"product_brand":[],"product_cat":[76],"product_tag":[],"class_list":["post-1214","product","type-product","status-publish","has-post-thumbnail","product_cat-ine","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product\/1214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/media\/2001"}],"wp:attachment":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/media?parent=1214"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product_brand?post=1214"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product_cat?post=1214"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product_tag?post=1214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}