{"id":2275,"date":"2026-03-20T16:05:17","date_gmt":"2026-03-20T15:05:17","guid":{"rendered":"https:\/\/www.konvergencie.sk\/shop\/?post_type=product&#038;p=2275"},"modified":"2026-04-28T12:37:22","modified_gmt":"2026-04-28T10:37:22","slug":"vladimir-godar-live","status":"publish","type":"product","link":"https:\/\/www.konvergencie.sk\/shop\/produkt\/vladimir-godar-live\/","title":{"rendered":"Vladim\u00edr God\u00e1r: Live at Konvergencie Festival 2005-2025 (CD, hudba)"},"content":{"rendered":"<p><strong><em>\u201eUmenie m\u00e1 roz\u0161irova\u0165 priestor \u013eudskej nez\u00e1vislosti a slobody.\u201c<\/em><\/strong><\/p>\n<p><strong>Vladim\u00edr God\u00e1r<\/strong><\/p>\n<hr \/>\n<p>CD je v\u00fdberom z viac ne\u017e dvadsa\u0165 rokov spolupr\u00e1ce festivalu Konvergencie s Vladim\u00edrom God\u00e1rom a vych\u00e1dza pri pr\u00edle\u017eitosti skladate\u013eovho jubilea.<\/p>\n<p>Prv\u00fd dotyk s hudbou Vlada God\u00e1ra som za\u017eil e\u0161te na konci osemdesiatych rokov. Naplno ma vtiahla po\u010das mojich vysoko\u0161kolsk\u00fdch \u0161t\u00fadi\u00ed a u\u017e vtedy som tu\u0161il, \u017ee ju chcem hra\u0165 \u010dastej\u0161ie. N\u00e1sledne som sa s Vladom zozn\u00e1mil a za\u010dala spolupr\u00e1ca, ktorej v\u00fdsledkom bolo nieko\u013eko albumov (Komorn\u00e1 hudba, Hudba pre violon\u010delo, Daria\u010dangin sad) a mnoho koncertn\u00fdch programov nielen s jeho tvorbou, ale aj s dielami, ktor\u00e9 som v\u010faka nemu objavil. Spolu s Vladom, Petrom Bielym, Ivanou Prista\u0161ovou a Petrom \u0160est\u00e1kom sme kedysi zalo\u017eili Albrecht Quartet, a to priamo u legend\u00e1rneho Hansiho Albrechta v Dome Albrechtovcov. Osobn\u00fd vz\u0165ah k Vladovej hudbe som z\u00edskaval postupne, najviac potom, ke\u010f skomponoval <em>O Crux<\/em> \u2013 medit\u00e1ciu pre s\u00f3lov\u00e9 violon\u010delo, ktor\u00fa mi venoval. Dielo som premi\u00e9roval, nieko\u013ekokr\u00e1t nahral a nespo\u010detnekr\u00e1t uviedol na koncertoch od USA cez Lond\u00fdn a\u017e po Nov\u00fd Z\u00e9land. Po Bachov\u00fdch suit\u00e1ch je to naj\u010dastej\u0161ie hran\u00e1 skladba na mojich s\u00f3lov\u00fdch recit\u00e1loch. St\u00e1le ma oslovuj\u00fa aj Vladove ran\u00e9 diela a mysl\u00edm si, \u017ee ich v\u00fdpovedn\u00e1 hodnota je nad\u010dasov\u00e1. Reakcie publika na jeho <em>Son\u00e1tu na pam\u00e4\u0165 Viktora \u0160klovsk\u00e9ho<\/em> boli \u010dastokr\u00e1t tak\u00e9 emocion\u00e1lne, a\u017e ma to zasko\u010dilo. Jeho hudba si z\u00edskala obdivovate\u013eov aj medzi zahrani\u010dn\u00fdmi interpretmi, vr\u00e1tane m\u00f4jho priate\u013ea Roberta Cohena, hudobn\u00edkov z Hilliard Ensemble \u010di Ensemble Corund, ktor\u00fdch po\u010dujete aj na tomto CD. Vlada si v\u00e1\u017eim nielen ako skladate\u013ea, ale aj ako autora d\u00f4le\u017eit\u00fdch textov o hudbe a spolo\u010dnosti. Na Konvergenci\u00e1ch pripravujeme u\u017e tret\u00ed koncert k jeho jubileu, tentokr\u00e1t pri pr\u00edle\u017eitosti sedemdesiatych naroden\u00edn. Ako inak? Ve\u010f je najhranej\u0161\u00edm slovensk\u00fdm skladate\u013eom na konvergen\u010dn\u00fdch, ale aj mojich koncertoch. Te\u0161\u00edm sa a som v\u010fa\u010dn\u00fd, \u017ee on s\u00e1m pri\u0161iel s n\u00e1padom, aby sme vydali diela, ktor\u00e9 zazneli na festivale. <strong>Dr\u017e\u00edte v ruk\u00e1ch nahr\u00e1vku, ktor\u00e1 mapuje dve desa\u0165ro\u010dia na\u0161ej spolupr\u00e1ce<\/strong>, a ver\u00edm, \u017ee tento \u201e\u010dasozber\u201c oslov\u00ed aj v\u00e1s, rovnako ako oslovil m\u0148a. Ve\u013emi ma te\u0161\u00ed, \u017ee Vlado st\u00e1le komponuje a m\u00e1 \u010do poveda\u0165 prostredn\u00edctvom svojej hudby.<\/p>\n<p>Jozef Lupt\u00e1k<\/p>\n<hr \/>\n<p><strong>Tracklist<\/strong><\/p>\n<p><strong>Vladim\u00edr GOD\u00c1R<\/strong> (1956)<\/p>\n<p>01\u2003<strong>Vari\u00e1cie na slovensk\u00fa \u013eudov\u00fa piese\u0148 pre dve violon\u010del\u00e1<\/strong> (2006) \/ <strong>Variations on a\u00a0Slovak Folk Song for two cellos<\/strong><\/p>\n<p>Robert Cohen<sup> UK<\/sup>, violon\u010delo \/ <em>cello<\/em><br \/>\nJozef Lupt\u00e1k\u2003violon\u010delo \/ <em>cello<\/em><\/p>\n<p>Zrkadlov\u00e1 sie\u0148 Primaci\u00e1lneho pal\u00e1ca \/ Primate\u2019s Palace, Bratislava, 12.\u20069.\u20062021<\/p>\n<p>02\u2003<strong>Dormi Jesu pre mie\u0161an\u00fd zbor, violon\u010delo a\u202fharfu<\/strong> (2008) \/ <strong>Dormi Jesu for mixed choir, cello and harp<\/strong><\/p>\n<p>Ensemble Corund <sup>CH<\/sup> \/ Stephen Smith, dirigent \/ <em>conductor<\/em><br \/>\nJozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><br \/>\nMichal Matej\u010d\u00edk, harfa \/ <em>harp<\/em><\/p>\n<p>Katedr\u00e1la sv.\u2006Martina \/ St.\u2006Martin\u2019s Cathedral, Bratislava, 15.\u20069.\u20062013<\/p>\n<p>03\u2003<strong>Sweet and Low pre mie\u0161an\u00fd zbor a\u00a0sl\u00e1\u010dikov\u00e9 n\u00e1stroje<\/strong> (2009) \/ <strong>Sweet and Low for mixed choir and strings<\/strong><\/p>\n<p>text \/ lyrics: A. Tennyson<\/p>\n<p>Ensemble Corund<sup> CH<\/sup> \/ Stephen Smith, dirigent \/ <em>conductor<\/em><br \/>\nIgor Kar\u0161ko, Milan Pa\u013ea, husle \/ <em>violin<\/em><br \/>\nJozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><br \/>\nPeter Jur\u010denko, kontrabas \/ <em>double bass<\/em><\/p>\n<p>Katedr\u00e1la sv.\u2006Martina \/ St.\u2006Martin\u2019s Cathedral, Bratislava, 15.\u20069.\u20062013<\/p>\n<p>04\u2003<strong>Passacaglia pre violon\u010delo<\/strong> (2006\/rev. 2008) \/ <strong>Passacaglia for solo cello<\/strong><\/p>\n<p>Jozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><\/p>\n<p>Moyzesova sie\u0148 \/ Moyzes Hall, Bratislava, 24. 3. 2025<\/p>\n<p>05\u2003<strong>Jesenn\u00e1 medit\u00e1cia pre sl\u00e1\u010dikov\u00e9 kvarteto<\/strong>\u00a0(1979) \/ <strong>Autumn Meditation for string quartet<\/strong><\/p>\n<p>Igor Kar\u0161ko, Jana Kar\u0161kov\u00e1, husle \/ <em>violin<\/em><br \/>\nSimon Tandree<sup>\u2005uk<\/sup>\u2002viola \/ <em>viola<\/em><br \/>\nJozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><\/p>\n<p>Design Factory \/ Design Factory, Bratislava, 17.\u20069.\u20062006<\/p>\n<p>06\u2003<strong>Usp\u00e1vanka s\u00a0panem Mozartem pre sopr\u00e1n a\u00a0klav\u00edrne trio<\/strong> (1985\/2005) \/ <strong>A Lullaby with Mr. Mozart for soprano and piano trio<\/strong><\/p>\n<p>text \/ lyrics: Jan Sk\u00e1cel<\/p>\n<p>Eva \u0160u\u0161kov\u00e1, sopr\u00e1n \/ <em>soprano<\/em><br \/>\nPeter Hamar, husle \/ <em>violin<\/em><br \/>\nJozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><br \/>\nVladim\u00edr God\u00e1r, klav\u00edr \/ <em>piano<\/em><\/p>\n<p>Koncertn\u00e1 sie\u0148 Klarisky \/ Klarisky Concert Hall, Bratislava, 19.\u20069.\u20062009<\/p>\n<p>07\u2003<strong>D\u00e9ploration sur la mort de Witold Lutos\u0142awski<\/strong> (1993)<\/p>\n<p>Igor Kar\u0161ko, Jana Kar\u0161kov\u00e1, husle \/ <em>violin<\/em><br \/>\nSimon Tandree<sup>\u2005uk<\/sup>\u2002viola \/ <em>viola<\/em><br \/>\nJozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><br \/>\nNora Skuta, klav\u00edr \/ <em>piano<\/em><\/p>\n<p>Design Factory \/ Design Factory, Bratislava, 17.\u20069.\u20062006<\/p>\n<p>8\u2003<strong>Bik\u00edt Gilgame\u0161, lamento pre bas a\u00a0violon\u010delo<\/strong> (1998) \/ <strong>Bik\u00edt Gilgamesh Lament for bass and cello<\/strong><\/p>\n<p>Peter Mikul\u00e1\u0161, bas \/ <em>bass<\/em><br \/>\nJozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><\/p>\n<p>Koncertn\u00e1 sie\u0148 Klarisky \/ Klarisky Concert Hall, Bratislava, 12.\u20069.\u20062024<\/p>\n<p>09\u2003<strong>Ricercar per quattro stromenti<\/strong> (1977\/rev. 1996) \/ <strong>Ricercar for piano quartet<\/strong><\/p>\n<p>Ivana Prista\u0161ov\u00e1, husle \/ <em>violin<\/em><br \/>\nSimon Tandree<sup> UK<\/sup>, viola \/ <em>viola<\/em><br \/>\nJozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><br \/>\nNora Skuta, klav\u00edr \/ <em>piano<\/em><\/p>\n<p>Koncertn\u00e1 sie\u0148 Klarisky \/ Klarisky Concert Hall, Bratislava, 15.\u20069.\u20062005<\/p>\n<p>10\u2003<strong>Pieta pre violon\u010delo<\/strong> (2025) \/ <strong>Pieta for cello<\/strong><\/p>\n<p>Jozef Lupt\u00e1k, violon\u010delo \/ <em>cello<\/em><\/p>\n<p>Moyzesova sie\u0148 \/ Moyzes Hall, Bratislava, 24.\u20063.\u20062025<\/p>\n<hr \/>\n<p><strong>Album obsahuje:<\/strong>\u00a0CD a\u00a0obsa\u017en\u00fd booklet s\u00a0textami dlhoro\u010dn\u00fdch kolegov a\u00a0priate\u013eov V. God\u00e1ra \u2013 Jozefa Lupt\u00e1ka, Petra Breinera, Petra Zagara \u010di Andrew Parrotta a\u00a0k\u00f3d na stiahnutie hudby v\u00a0digit\u00e1lnom form\u00e1te<\/p>\n<p><strong>Vydavate\u013e:<\/strong> Konvergencie \u2013 spolo\u010dnos\u0165 pre komorn\u00e9 umenie, o.z. 2026<\/p>\n<p><strong>SOZA &#8211; BIEM:<\/strong> 1749-017-1<\/p>\n<p><strong>EAN: <\/strong>8588006338164<\/p>\n<p>live nahr\u00e1vky z koncertov medzin\u00e1rodn\u00e9ho festivalu komornej hudby Konvergencie 2005-2025 v Bratislave \/ recorded live at the Konvergencie Chamber Music Festival in Bratislava 2005-2025<\/p>\n<p>mix &amp; mastering: Igor Baar \/ Jozef Lupt\u00e1k<\/p>\n<p>texty v booklete \/ sleeve notes: \u00a0Vladim\u00edr God\u00e1r \/ Peter Breiner \/ Peter Zagar \/ Andrew Parrott \/ Jozef Lupt\u00e1k<\/p>\n<p>booklet zostavili \/ booklet editors: Andrej \u0160uba \/ M\u00e1ria Boh\u00e1\u010dov\u00e1<\/p>\n<p>korekt\u00fary \/ proofreading: M\u00e1ria Boh\u00e1\u010dov\u00e1 \/ M\u00e1ria Hejtm\u00e1nkov\u00e1<\/p>\n<p>preklady \/ translations: John Minahane \/ Andrej \u0160uba<\/p>\n<p>fotografie \/ photos: Jarmila Uhl\u00edkov\u00e1 \/ Daniela Meressa Rusnokov\u00e1<\/p>\n<p>design &amp; layout: Zuzana \u010c\u00ed\u010delov\u00e1<\/p>\n<p>produkcia \/ production manager: Lea Majer\u010d\u00e1kov\u00e1 \/ Konvergencie<\/p>\n<p>executive producer: Jozef Lupt\u00e1k<\/p>\n<p>po\u010fakovanie \/ special thanks to Katar\u00edna God\u00e1rov\u00e1<\/p>\n<p>\u2117 \u00a9 o. z. Konvergencie 2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CD je v\u00fdberom z viac ne\u017e dvadsa\u0165 rokov spolupr\u00e1ce festivalu Konvergencie s Vladim\u00edrom God\u00e1rom a vych\u00e1dza pri pr\u00edle\u017eitosti skladate\u013eovho jubilea.<\/p>\n","protected":false},"featured_media":2276,"template":"","meta":[],"product_brand":[],"product_cat":[16],"product_tag":[],"class_list":{"0":"post-2275","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-cd","8":"first","9":"instock","10":"shipping-taxable","11":"purchasable","12":"product-type-simple"},"supplier_id":null,"supplier_sku":"","barcode":null,"atum_controlled":true,"out_stock_date":null,"out_stock_threshold":null,"inheritable":false,"inbound_stock":null,"stock_on_hold":1,"sold_today":0,"sales_last_days":10,"reserved_stock":null,"customer_returns":null,"warehouse_damage":null,"lost_in_post":null,"other_logs":null,"out_stock_days":0,"lost_sales":0,"has_location":false,"update_date":"2026-04-29T13:04:29","atum_locations":[],"atum_stock_status":"instock","restock_status":true,"low_stock_amount":2,"sales_update_date":"2026-04-29T13:04:29","calc_backorders":0,"_links":{"self":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product\/2275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/media\/2276"}],"wp:attachment":[{"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/media?parent=2275"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product_brand?post=2275"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product_cat?post=2275"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.konvergencie.sk\/shop\/wp-json\/wp\/v2\/product_tag?post=2275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}